Rajasthani paintings are divided into different styles, one of which is the Kishangarh style. The Kishangarh style of painting originated in the city of Kishangarh, India. This style has a distinct religious appearance. The buildings in the paintings look strong, but the female faces are drawn in a different way from before.
Artists in Kishangarh made beautiful, detailed miniature paintings during the rule of King Savant Singh in the 1700s. He was devoted to the Hindu god Krishna. So most paintings show the romantic stories of Krishna and Radha.
The paintings of Radha and Krishna actually represent King Savant Singh and his wife Vishnupriya. Vishnupriya was first hired as a court singer before marrying the king in 1740.
As the king’s wife, Vishnupriya wore elegant makeup and accessories to show her royal status. Her style became famous.
Some think the Mughal Bani Thani miniature painting style influenced the facial types in Kishangarh paintings.
FAQ
A: Bani Thani paintings originated in the Mughal court in Delhi and Agra.
A: Bani Thani is a type of Mughal miniature painting style that developed in the 17th century, depicting female figures/portraits with distinct facial features and stylized treatment.
A: Yes, Bani Thani paintings are considered important in Indian art history and feature in the UPSC syllabus related to art and culture.
A: Original antique Bani Thani paintings from the Mughal era can be extremely valuable, running into lakhs or even crores of rupees at auctions depending on the quality and provenance.
A: Bani Thani belongs to the Mughal/Delhi school of miniature painting.
A: No, there are no songs called “Bani Thani”. It refers to a particular style of Mughal painting.
A: The Bani Thani style emerged in the late 17th century Mughal court under emperors like Shah Jahan and Aurangzeb. It portrayed female figures/courtesans in a distinctive stylized manner. This style likely influenced later Indian painting traditions like the Kishangarh school.
